'Tonight I played cards with a disgraced priest. We wagered confessions...'
'Tonight I played cards with a disgraced priest. We wagered confessions...'

Living dead banditos and ghoulish conquistadores, cannibalistic muertoads and spectral sessquatches prowl Mexico’s haunted prairies – and it’s up to Undead Mexican Mustache-Quillslinger El Bigote to put them back in their tequila worm-infested graves!
A special limited (100 copies) print edition of A Tequila-Drenched Reckoning will soon be available for FREE through the El Bigote El Blogote or the El Bigote Facebook Page (details will follow in a future post, but it’ll basically be first come first serve).
To make sure no one’s left out, the issue will also be available FREE digitally through…well…everywhere really: Clickwheel, Dropbox, Comixology, Myebook, ect. The plan is just to get as many people to read and (hopefully) enjoy El Bigote’s adventures.
Of course El Bigote's creators are actively searching for a Big Comics ExecutiveBuuut in the meantime, they'll continue to produce the comic independently.
The first full-length El Bigote story, La Noche De Los Muertoads, will be available mid-2012, and a series of episodic quillslinger adventures will appear in the pages of British Small Press anthology comicsParagon and AAAIIIEEE!!!.
Be sure to subscribe to El Blogote for updates!
above: Exterminator extraordinare, Elroy Wargle, and entomologist wannabe, Stoss, prepare to take out a colony of space earwigs in Extermination Theory (art by Matt Soffe).
above: Thrill, Gasp and Shudder - in whichever order you please - to Paragon the 9th (cover art by Davey Candlish)!
above: Jikan and his Demon-Killing Posse protect a wagon train from the Deminjun Horde (art by Davey Candlish).
‘And just as suddenly as he appeared, the stranger disappeared, riding that hot wind to the next hell he would cleanse...’
After thirty-one weekly episodes spanning over six months, the Old West chapter of Jikan’s life is concluded. We’ve been through airborne fights with harpy gunslingers, an orgy of blood and butchery at the hands of a horde of deminjuns, and a gut-wrenching finale involved a giant planet life force dearth worm…
(right...I've collected all the weekly episodes of Jikan Noon for you to read, but in my normal fashion I’m going to ramble a bit, so click here to ignore me and skip to the comics)
Writing a strip like this has its challenges – action and adventure has to dominate, because that’s what keeps the audience (both of you) returning week after week, and every episode has to end with a cliffhanger of some sort for the exact same reason. Yet somehow, for the sake of “character development”, a quiet moment or two has to find a place between all the violence and bloodshed. The process of writing a three-panel weekly can seem confining and frustrating at first, but really fun once you get the hang of it (and there are those of you who will question whether I’ve gotten the hang of it yet).
Davey Candlish – creator of Jikan and editor of small press comics anthology, Paragon Comic – began the time-traveling samurai’s adventures in this exact format (you can find that strip collected in the Jikan Chronicles) as content for his blogsite. The next few Jikan stories were written (by Mark Howard) for Paragon, and traded in the newspaper strip format for the…um…yeah…the comic book format (I love it when I hit a spot like this, where there’s no better way than the obvious to describe something - but as a so-called writer I first feel obligated to “make it sound better” and then sheepish for being unable to do so).
I’d just finished a pair of stand-alone Jikan scripts for Paragon – Jikan: Witch Fires and Jikan and the Caves of Death – when Davey asked me to come up with a sequel to the original newspaper strip.
What I like about Jikan is that, because he hops around from time to time, he can really go anywhere or do anything; one strip can find him in feudal Japan, the next can launch him into outer space; he can wade through an episode of violent action or creep through a horror-plot.
For the newspaper strip's relaunch, Davey wanted a gritty Western - but I convinced him to let me write a whimsical fairy tale...and the adventure of Jikan & the Kappa King unfolded over the next six months.

Having learned a few valuable lessons - and having read reams of Prince Valiant and Conan the Barbarian newspaper strips to see how it should be done - I was eager to give the format another go. Davey again asked for a story set in the Old West. This time I sat down with an idea – and wrote every episode in one sitting. As a result the pacing in Jikan Noon is much better than in Kappa King, and the cliffhangers are more natural. I supplied Jikan with a new set of supporting characters, yet managed to give each of those characters a bit of depth...(if you consider THIS NONSENSE depth)!
Look out for Jikan Leviathan, the time-travelling samurai's next small-format weekly adventure, next year!
above: Yeah, there's definitely Something Wicked after the poor sap on the cover of issue 7 (art by Adam Bolton).
above: a Warrior-Sorceror battles a hungry swamp creature in the Spear & Juju epic, Nakis: Witch of the Mists (art by Vicky Stonebridge).
above: has G127 been destroyed? And who are those other Mekkos? Find out in Rise of the Mekko-Sapiens Episode 3. (art by Louis Carter)
Paragon 8 has hit the proverbial stands…and the Rise of the Mekkosapiens continues!
In episode 2 the action heats up, with G127 inciting a robot rebellion against his mechanical enslavers. Several glimpses of the past – and mastermind of the Machine Earth – are given, and we learn who G127 was before his Mekko-conversion. Plus there’s smashing and bashing and explosions, and robots getting blown to bits.
Sounds like a good time, I hope. To me, of course, smashing and bashing and explosions, and robots getting blown to bits sounds like a good time – we’ll see what the first of the strip’s critics think come Monday (9/12/11) when Forbidden Planet’s review is posted. If you’ll recall, episode 1 received…um…a less than favorable write-up…
But this time round there’s smashing and bashing and explosions, and robots getting blown to bits – that automatically makes it better, right? Having the ultra-talented James Corcoran on art duties doesn’t hurt either.
And yet the pencil-monkey carousel has turned once again. Louis Carter has lent his pencils to the strip – and as you can see from the series of panels above and below, has done a bang-up job. Louis and I worked together on a strip called Lugal last year, and his incredibly detailed artwork is perfectly suited to capturing the ticks and tocks of the Machine Earth and its robotic inhabitants. Episode 3 looks fantastic.
Rise of the Mekko-Sapiens Episode 3 is set to appear in Paragon 9 later this year - so go buy Paragons 7 and 8 to catch up on the first two episodes!
above: smashing and bashing and explosions, and robots getting blown to bits in Rise of the Mekko-Sapiens Episode 3. (art by Louis Carter)
It’s rather empty down here, I know. But here – here you’ll soon find reviews, of which there will appear at least three…the first on Monday. Keep your fingers crossed.
The first review is in, and it's pretty indifferent:
From the Forbidden Planet Blog: "Rise Of The Mekkosapiens is the second part of a strip that debuted last issue, and the errant G127 starts to build a revolution having thrown off his programming last time. Art okay, story a little hmmmm, dialogue a touch hmm as well, just too static for its own good. It is, to be honest a bit of a nothing strip in story and art....Mekkosapiens hasn’t really got my attention..."
So I suppose all that robot action upgraded the strip from "shite" to "meh". Maybe episode three will recieve a round about compliment...yeah, maybe.
Edit: 09/15: The next review is in...and it's actually positive! I am both shocked and relieved.
From Line of Fire Reviews' Kelvin Green:
"The Rise of the Mekko-Sapiens" was the weak link last time around, but is much improved with this issue -- although it now appears to be called "The Mekko-Sapiens Uprising", which suggests that Candlish needs to employ a firmer approach with his editing -- with a higher page count, a bit more action, and strong art from James Corcoran. It still seems a bit derivative -- there are some eerie similarities with a Dark Horse series called Syn from a few years ago, but it's too obscure a series to be an influence, I'd imagine -- but at least something's happening, and there are some interesting -- and unexpected, in a story about robots -- musings on religion from writer Matthew McLaughlin."
I do have to mention that I've never read Syn, the comic Mr. Green felt Mekkos bears a resemblance to (funny, as last time it was compared to The Matrix - and I've never seen that either!). I hope that, as the story progresses and the further surprises I have in store for the reader, Mekkos will continue to grow on the reader - and stand on its own. Anyway, this review makes me feel a lot better about the strip.




There’s always a story behind a story. The journey ‘Extermination Theory’ embarked on from its conception to the published page has been both strange and trying…to say the least.
Extermination Theory, from Microfiction to Novel:
‘…and what did Stoss find, but a little flesh-basket nest filled with gelatinous eggs. He could see ropey creatures inside, floating through the yolks, squirming impatiently; the brood was going to hatch soon…’
A few years ago I wrote a tale called ‘The Exterminators’ and entered it in a microfiction contest sponsored by Dark Horse Comics. Clocking in at roughly 450 words, ‘The Exterminators’ tells of a boy who lives in a rundown apartment complex and discovers that a pygmy Alien (yes, you read that right) has set up a nest in the building’s basement. When his mother calls the exterminators to rid the complex of the Aliens, the boy, feeling sorry for the little creatures (and unaware of how dangerous even a ‘full grown’ pygmy Alien would be), rescues one of them to keep as a pet…
The story didn’t win the contest, but it did score a nice email from a Dark Horse editor. Based on his phrase ‘nice dark atmospherics’, I shamelessly offered to turn the story into an Aliens novel – it only needed what, a gazillion more words added on…right…?
(ah, I was soooo shameless in my youth, so, so shamelessly shameless)
Couldn’t hurt to ask, I figured (shamelessly). Of course, I never thought I'd hear back either which way.
Well, I found myself surprised when an opening chapter was requested…
Extermination Theory, from Novel to Short Story:
‘…hissing, the Queen uncoiled her serpentine body – and struck at his knee, her teeth plunging through flesh and shattering bone…’
My idea for the novel was simple: what if the Aliens found themselves on a planet where the native creatures grew no larger than, say, cats? Well, they’d adapt somehow, right? That’s what the species does above anything else. Adapt and survive.
So, after years of evolution, the Aliens on the planet are no bigger than ‘fist-and-forearm’ and live underground in a network of caves – breeding – feeding – biding time until, of course, bumbling humans arrive to set up a few colonies.
I wasted no time in hashing out a dozen pages. The result – that opening chapter – is essentially the same ‘Extermination Theory’ appearing in the Starscape Storypaper, but with alien-earwigs replacing Aliens…
My contact at Dark Horse claimed to love it (“‘contact’ means ‘editor’, but I’m not giving out any names…especially when I still have hopes of someday working for him,” he said shamelessly), and I started counting my money in the bank and mentally memorizing ‘big-time writer’ convention speeches. But after a few largely positive emails our communication cut off, even after I submitted the requested rewrites. Eventually, nearly a year-and-a-half-later, I was told that pygmy Aliens weren’t scary enough and that Dark Horse no longer had any interest in my novel.
Although pretty shattered (a broken heart? too sensitive? yeah, I’m still crushed at a rejection but this experience more than any other taught me that you’ve got to pick yourself back up – still, I do go through a period of mourning for a rejected story before the picking up parts), I realized I really liked ‘Extermination Theory’ and wasn’t about to let it keel over and die so easily. A quick going over, x-ing out any Aliens references and injecting creations and backdrops of my own, and hey, I had new a short story…

Extermination Theory, from Short Story to Story-Comic:
‘Alright kid,’ Elroy Wargle, self-proclaimed exterminator extraordinaire, announced as he led the teenager into the empty warehouse. ‘I know this is your first day on the job, but the first day is as good as any to start killing earwigs.’
In no time, a magazine called Dark Worlds picked up ‘Extermination Theory’ and paid me a hundred bucks for the first printing and electronic rights. The editor seemed very enthusiastic about the story and planned to run it in the upcoming issue…the issue that never materialized. Months passed, no issue. More months, still nothing, not even a communication from the editor. With some trepidation – editors can be an evil lot, and I find it’s best to leave them alone at all times possible – I contacted him and asked if the story was still scheduled for publication.
It wasn’t.
The magazine folded, I was told, bad luck and all of that. Disappointing to say the least, but I still had my story and still had my hundred dollars. Wrong. Oh, that damned contract, that damned contract that gave away my rights to the story – at least until it had been printed. Those rights belonged to the creators of Dark Worlds and ‘Extermination Theory’ was theirs to do whatever they wanted with it…including nothing.
So I bought it back. I gave my hundred dollars back and got the rights returned to me. A painful thing to do, because at the time I needed the cash. But ‘Extermination Theory’ had become like a bastard son, the little bastard that gets shoved into the closet while the legitimates get to shine (I have no bastards, promise, and I’ve never shoved a kid into a closet except maybe once or twice). Well, finally the bastard was going to prevail whatever the cost.
So all in all in ended up costing a hundred bucks and about two years.
I was determined to place it in the hands of an editor that would take care of it and do right by it. Then I noticed editor Chris Smillie advertising a very unique idea: a Storypaper (and I highly recommend that you take a peek at this very informative article Chris wrote on the history of Storypapers).
Chris is the editor of Starscape Comics, a small press outfit that specializes in Superhero crossover comics and very cool reprint collections. There is a heavy air of nostalgia breathed into every comic Starscape releases – and a lot of care. Luckily, Chris liked ‘Extermination Theory’ enough to publish it in the first issue of the Starscape Storypaper, accompanied by wonderful the illustrations of Dustin Parr and Matt Soffe.
Order your copy of the Starscape Storypaper here!




